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Oversight as Insight: Reading The Second Shepherd's Play
Michelle Ann Abate

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Subjectivity, Theory and Early Modern Drama
Viviana Comensoli Viviana, Theodora Jankowski, and Bryan Reynolds

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‘Go sound the ocean, and cast your nets’: Surfing the Net for Early Modern Theatre
Suzanne Westfall

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‘To obtain his soul’: Demonic Desire for the Soul in Marlowe and Others
John D. Cox

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'An honest dog yet': Performing The Witch of Edmonton
Roberta Barker

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Expanding the Political Nation: Gorboduc at the Inns of Court and Succession Revisited
Jessica Winston

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‘The top of woman! All her sex in abstract!’: Ben Jonson Directs the Boy Actor in The Devil is an Ass
Regina Buccola

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‘Arden Winketh at His Wife's Lewdness, & Why!’: A Patrilineal Crisis in Arden of Faversham
Randall Martin

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The Performance of Disguise
Peter Hyland

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‘Once more unto the breach’: Katherine's Victory in Henry V
Corinne S. Abate