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Editorial
Helen Ostovich

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New sightings of Christopher Marlowe in London
David Mateer

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Christopher Beeston and the Caroline Office of Theatrical ‘Governor’
Christopher Matusiak

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We pray you all ... To drink ere ye pass': Bann Criers, Parish Players, and the Henrician Reformation in England's South-east
Ernst Gerhardt

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A Dog, A Witch, a Play: The Witch of Edmonton
Meg F. Pearson

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Staging Invisibility in English Early Modern Drama
Barbara D. Palmer

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‘Certain condolements, certain vails’: Staging Rusty Armour in Shakespeare's Pericles
Susan Harlan

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The Commedia dell'Arte: New Perspectives and New Documents
M. A. Katritzky

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An Icon for a New Woman: A Previously Unidentified Portrait of Isabella Andreini by Paolo Veronese
Maria Ines Aliverti

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The Italian Actress and the Foundations of Early Modern European Theatre: Performing Female Sexual Identites on the Commedia dell'Arte Stage
Rosalind Kerr

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New Perspectives on Language, Oral Transmission, and Multilingualism in Commedia dell'Arte
Erith Jaffe-Berg

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The Commedia all'improvviso Illustrations of the Corsini Manuscript: A New Reading
Stefano Mengarelli

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Back to the Future: A Review of Twentieth-Century Commedia-Shakespeare Studies
Robert Henke