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Editorial
Helen M. Ostovich and Melinda J. Gough

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'Canst paint a doleful cry?': Promotion and Performance in the Spanish Tragedy Title-Page Illustration
Diane K. Jakacki

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'Between You and Her No Comparison': Witches, Healers, and Elizabeth I in John Lyly's Endymion
Natalia Khomenko

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A lost Jacobean tragedy: Henry the Una (c.1619)
Matthew Steggle

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Slavery and Anti-Republicanism in Sir Ralph Freeman’s Imperiale, a tragedy (1639)
Ray Bossert

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Bringing Richard Brome Online
Brett D. Hirsch

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Marlowe, the ‘Mad Priest of the Sun’, and Heliogabalus
Tom Rutter

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Running over the Stage: Webster and the Running Footman
David Carnegie

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Review of The Stuart Court Masque and Political Culture by Martin Butler
Kirsten Inglis

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Review of Shakespeare, Computers, and the Mystery of Authorship, ed. Hugh Craig and Arthur F. Kinney
Peter Kirwan

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Review of Faustus and the Promises of the New Science, c. 1580-1730 by Christa Knellworth King
Ian McAdam

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Review of Performing Childhood in the Early Modern Theatre: The Children's Playing Companies by Edel Lamb
Theodore F. Kaouk

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Review of Kenneth Burke on Shakespeare, ed. Scott Newstok
David Schalkwyk

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Review of Teaching Shakespeare: Passing it On, ed. G.B. Shand
Peter Malin

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Review of Violence Against Women in Early Modern Performance: Invisible Acts by Kim Solga
Catherine Silverstone

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Review of Drama and Religion in English Provincial Society, 1485-1660, by Paul Whitfield White
Jennifer Roberts-Smith