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Editorial
Helen M. Ostovich and Melinda Gough

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The Animals in Chester's Noah's Flood
Lisa J. Kiser

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How to get from A to B: Fulgens and Lucres, Histrionic Power, and the Invention of the English Comic Duo
Rick Bowers

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'Sette on foote with gode Wyll': Towards a Reconstruction of Robin Hood and the Sheriff of Nottingham
Alexis M. Butzner

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The English Entertainment for the French Ambassadors in 1564
C. Edward McGee

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Queen Elizabeth I's Progress to Bristol in 1574: An Examination of Expenses
Francis Wardell

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The Seven Deadly Sins and Theatrical Apprenticeship
David Kathman

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James Robert Allard and Mathew R. Martin (eds), Staging Pain 1580-1800: Violence and Trauma in British Theater (Aldershot: Ashgate, 2009)
Lisa Dickson

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Craig Dionne and Parmita Kapadia (eds), Native Shakespeares: Indigenous Appropriations on a Global Stage (Aldershot: Ashgate, 2008)
Yolana Wassersug

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Will Fisher, Materializing Gender in Early Modern English Literature and Culture (Cambridge: Cambridge UP, 2006)
Emma Katherine Perry

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Gabriel Heaton, Writing and Reading Royal Entertainments from George Gascoigne to Ben Jonson (Oxford: Oxford UP, 2010)
Elizabeth Zeman Kolkovich

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Peter Kanelos and Matt Kozusko (eds), Thunder at a Playhouse: Essaying Shakespeare and the Early Modern Stage (Cranbury NJ: Rosemount Publishing, 2010)
Helen M. Ostovich

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Elizabeth Klett, Cross-Gender Shakespeare and English National Identity: Wearing the Codpiece (New York: Palgrave Macmillan, 2009)
Jami Rogers

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Michael J. Redmond, Shakespeare, Politics, and Italy: Intertextuality on the Jacobean Stage (Aldershot: Ashgate, 2009)
Goran V. Stanivukovic PhD

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Celestine Woo, Romantic Actors and Bardolatry: Performing Shakespeare from Garrick to Kean (New York: Peter Lang, 2008)
Fiona Ritchie