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Editorial
Helen M. Ostovich, Melinda Gough, and Erin E. Kelly

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Introduction Circles and Circuits: Drama and Politics in the Midlands
Amy Scott and Mary Polito

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‘The Pen lookes to be canoniz’d’: John Newdigate III, Author and Scribe
Kirsten Inglis and Boyda Johnstone

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Staging Roman History, Stuart Politics, and the Duke of Buckingham: The Example of The Emperor’s Favourite
Siobhan C. Keenan

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Politics, Poetry, and Performance: The Miscellaneous Contents of Arbury Hall MS 414
Laura Estill

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Jockeying Jony: The Politics of Horse-Racing and Regional Identity in The Humorous Magistrate
Vimala C. Pasupathi

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The Magistrate — and Humorous Magistrates — in Early Seventeenth-Century England
Louis A. Knafla

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‘This rare Poetesse’: the Remains of Lady Jane Burdett
Mary E. Polito

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Events and Texts: The Prologues and Epilogues of the Arbury Plays
Amy Scott

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Trying to be Diplomatic: Editing The Humorous Magistrate
Margaret Jane Kidnie

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John Newdigate III, Gilbert Sheldon, and MS A414 106r
Owen Stockden

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Imported Popular Song in The Humorous Magistrate: 'The Noble Acts of Arthur of the Round Table' and 'Come heare, Lady Muses'
Paul L. Faber