Home > EARLYTHEATRE > Vol. 15 > Iss. 1 (2012)
Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain
Editorial
Special Issue
Introduction Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain
Peter Parolin
Articles
Between Courts: Female Masquers and Anglo-Spanish Diplomacy, 1603-5
Mark Hutchings and Berta Cano-Echevarría
‘Cattle of this colour’: Boying the Diva in As You Like It
Pamela Allen Brown
The Spanish Actress’s Art: Improvisation, Transvestism, and Disruption in Tirso’s El vergonzoso en palacio
Amy L. Tigner
Conniving Women and Superannuated Coquettes: Travestis and Caractères in the Early Modern French Theatre
Virginia Scott
Book Reviews
Melissa Croteau and Carolyn Jess-Cooke (eds). Apocalyptic Shakespeare: Essays on Visions of Chaos and Revelation in Recent Film Adaptations. Jefferson, NC: McFarland, 2009.
Catherine Silverstone
Eugene Giddens. How to Read a Shakespearean Play Text. Cambridge: Cambridge University Press, 2011.
Brett D. Hirsch
Max Harris. Sacred Folly: A New History of the Feast of Fools. Ithaca: Cornell University Press, 2011.
Abigail Ann Young
Robert Mullally. The Carole: A Study of a Medieval Dance. Aldershot: Ashgate, 2011.
Emily F. Winerock
Federico Schneider. Pastoral Drama and Healing in Early Modern Italy. Aldershot: Ashgate, 2010.
Alexandra Coller
