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Expanding the Political Nation: Gorboduc at the Inns of Court and Succession Revisited
Jessica Winston

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‘If my sign could speak’: The Signboard and the Visual Culture of Early Modern London
Andrew Gordon

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‘Plucking a Crow’ in The Comedy of Errors
Maureen Godman

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‘Vs for to wepe no man may lett’: Accommodating Female Grief in the Medieval English Lazarus Plays
Katharine Goodland

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Oversight as Insight: Reading The Second Shepherd's Play
Michelle Ann Abate

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Book Review: Leeds Barroll (ed), Susan Zimmerman (book review ed); Shakespeare Studies 29. Madison: Fairleigh Dickinson University Press, 2001.
Gillian Murray Kendall

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Book Review: Elizabeth Cary. The Tragedy of Mariam: The Fair Queen of Jewry. Ed Stephanie Hodgson-Wright. Peterborough, Ontario: Broadview Literary Texts, 2000.
Nancy A. Gutierrez

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Book Review: Anthony B. Dawson and Paul Yachnin. The Culture of Playgoing in Shakespeare's England: A Collaborative Debate. Cambridge: Cambridge University Press, 2001.
Douglas Bruster

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Book Review: Ben Jonson. Every Man Out of His Humour. Ed Helen Ostovich. The Revels Plays. Manchester: Manchester University Press, 2001.
W. David Kay

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Book Review: Anne Lancashire. London Civic Theatre: City Drama and Pageantry from Roman Times to 1558. Cambridge: Cambridge University Press, 2002.
Daryll Grantley

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Book Review: Courtney Lehmann. Shakespeare Remains: Theater to Film, Early Modern to Postmodern. Ithaca and London: Cornell University Press, 2002.
Stephen M. Buhler

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Book Review: Tristan Marshall. Theatre and Empire: Great Britain on the London Stage under James VI and I. Manchester: Manchester University Press, 2000.
David Baker

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Book Review: Thomas Middleton. Michaelmas Term. Ed. Gail Kern Paster. The Revel Plays. Manchester University Press, 2000.
Paul Yachnin

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Book Review: Richard Rastall. Minstrels Playing: Music in Early English Religious Drama. Woodbridge, Suffolk: D. S. Brewer, 2002.
Joanna Dutka

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Book Review: Alan Shepard. Marlowe's Soldiers: Rhetorics of Masculinity in the Age of the Armada. Aldershot: Ashgate, 2002.
Mario DiGangi

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Book Review: Bruce R. Smith. The Acoustic World of Early Modern England: Attending to the O-Factor. Chicago: University of Chicago Press, 1999.
Alan H. Nelson

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Book Review: Robert Weimann. Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre. Ed Helen Higbee and William West. Cambridge: Cambridge University Press, 2000.
Ric Knowles