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Abstract

This paper analyzes the Digby Mary Magdalene play's use of a motif or 'meme' common in medieval romance, in which a character's slumber in an orchard, garden or arbour precipitates a supernatural encounter with the Otherworld. In depicting Mary Magdalene's pivotal meeting with an angel when she falls asleep in an arbour, the Digby Mary Magdalene play recalls analogous situations in secular romance and thus situates its depiction of Mary as both saint and anti-romance-heroine within a web of intertextual references. As a powerful fusion of romantic and spiritual adventure centred on a strong female protagonist, the play is best viewed within a broad range of late medieval literature that was popular with its increasingly literate late medieval East Anglian audiences.

Author Biography

Joanne Findon is an Associate Professor in the Department of English Literature at Trent University. She has published on medieval romance and medieval Irish literature, and is currently working on late medieval drama. She is working on a book-length project about the Digby Mary Magdalene play and its literary context.

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