<?xml version="1.0" encoding="utf-8" ?>
<rss version="2.0">
<channel>
<title>Eighteenth-Century Fiction</title>
<copyright>Copyright (c) 2012 McMaster University All rights reserved.</copyright>
<link>http://digitalcommons.mcmaster.ca/ecf</link>
<description>Recent documents in Eighteenth-Century Fiction</description>
<language>en-us</language>
<lastBuildDate>Thu, 26 Jan 2012 14:01:43 PST</lastBuildDate>
<ttl>3600</ttl>





<item>
<title>Review of: Hugh Henry Brackenridge, &lt;em&gt;Modern Chivalry&lt;/em&gt;, ed. Ed White</title>
<link>http://digitalcommons.mcmaster.ca/ecf/vol24/iss2/19</link>
<guid isPermaLink="true">http://digitalcommons.mcmaster.ca/ecf/vol24/iss2/19</guid>
<pubDate>Fri, 06 Jan 2012 11:28:26 PST</pubDate>
<description>
	<![CDATA[
	<p>Review of Hugh Henry Brackenridge, <em>Modern Chivalry</em>, ed. Ed White (2009), reviewed by Janice McIntire-Strasburg</p>

	]]>
</description>

<author>Janice McIntire-Strasburg</author>


</item>


<item>
<title>Review of/compte rendu: Thomas M. Kavanagh, &lt;em&gt;Enlightened Pleasures: Eighteenth-Century France and the New Epicureanism&lt;/em&gt;</title>
<link>http://digitalcommons.mcmaster.ca/ecf/vol24/iss2/18</link>
<guid isPermaLink="true">http://digitalcommons.mcmaster.ca/ecf/vol24/iss2/18</guid>
<pubDate>Fri, 06 Jan 2012 11:28:25 PST</pubDate>
<description>
	<![CDATA[
	<p>Review of/compte rendu: Thomas M. Kavanagh, <em>Enlightened Pleasures: Eighteenth-Century France and the New Epicureanism</em> (2010), reviewed by Pierre Saint-Amand</p>

	]]>
</description>

<author>Pierre N. Saint-Amand</author>


</item>


<item>
<title>Review of/compte rendu: Louisa Shea, &lt;em&gt;The Cynic Enlightenment: Diogenes in the Salon&lt;/em&gt;</title>
<link>http://digitalcommons.mcmaster.ca/ecf/vol24/iss2/17</link>
<guid isPermaLink="true">http://digitalcommons.mcmaster.ca/ecf/vol24/iss2/17</guid>
<pubDate>Fri, 06 Jan 2012 11:28:24 PST</pubDate>
<description>
	<![CDATA[
	<p>Book review/compte rendu: Louisa Shea, <em>The Cynic Enlightenment: Diogenes in the Salon</em> (2010), reviewed by Natania Meeker</p>

	]]>
</description>

<author>Natania Meeker</author>


</item>


<item>
<title>Review of: Maria Purves, &lt;em&gt;The Gothic and Catholicism: Religion, Cultural Exchange and the Popular Novel, 1785-1829&lt;/em&gt;</title>
<link>http://digitalcommons.mcmaster.ca/ecf/vol24/iss2/16</link>
<guid isPermaLink="true">http://digitalcommons.mcmaster.ca/ecf/vol24/iss2/16</guid>
<pubDate>Fri, 06 Jan 2012 11:28:23 PST</pubDate>
<description>
	<![CDATA[
	<p>Review of Maria Purves, <em>The Gothic and Catholicism: Religion, Cultural Exchange and the Popular Novel, 1785-1829</em> (2009), reviewed by Susan Paterson Glover</p>

	]]>
</description>

<author>Susan Glover</author>


</item>


<item>
<title>Review of: Lynn Shepherd, &lt;em&gt;Clarissa&apos;s Painter: Portraiture, Illustration, and Representation in the Novels of Samuel Richardson&lt;/em&gt;</title>
<link>http://digitalcommons.mcmaster.ca/ecf/vol24/iss2/15</link>
<guid isPermaLink="true">http://digitalcommons.mcmaster.ca/ecf/vol24/iss2/15</guid>
<pubDate>Fri, 06 Jan 2012 11:28:22 PST</pubDate>
<description>
	<![CDATA[
	<p>Review of Lynn Shepherd, Clarissa's Painter: Portraiture, Illustration, and Representation in the Novels of Samuel Richardson (2009), reviewed by Murray L. Brown</p>

	]]>
</description>

<author>Murray L. Brown</author>


</item>


<item>
<title>Review of: Katherine Binhammer, &lt;em&gt;The Seduction Narrative in Britain, 1747-1800&lt;/em&gt;</title>
<link>http://digitalcommons.mcmaster.ca/ecf/vol24/iss2/14</link>
<guid isPermaLink="true">http://digitalcommons.mcmaster.ca/ecf/vol24/iss2/14</guid>
<pubDate>Fri, 06 Jan 2012 11:28:21 PST</pubDate>
<description>
	<![CDATA[
	<p>Review of Katherine Binhammer, <em>The Seduction Narrative in Britain, 1747-1800</em> (2009), reviewed by Rachel Carnell</p>

	]]>
</description>

<author>Rachel K. Carnell</author>


</item>


<item>
<title>Review of: Stephen Shapiro, &lt;em&gt;The Culture and Commerce of the Early American Novel: Reading the Atlantic World-System&lt;/em&gt;</title>
<link>http://digitalcommons.mcmaster.ca/ecf/vol24/iss2/13</link>
<guid isPermaLink="true">http://digitalcommons.mcmaster.ca/ecf/vol24/iss2/13</guid>
<pubDate>Fri, 06 Jan 2012 11:28:20 PST</pubDate>
<description>
	<![CDATA[
	<p>Review of: Stephen Shapiro, <em>The Culture and Commerce of the Early American Novel: Reading the Atlantic World-System</em> (2008), reviewed by Betsy Klimasmith</p>

	]]>
</description>

<author>Betsey Klimasmith</author>


</item>


<item>
<title>Review of: Chris Roulston, &lt;em&gt;Narrating Marriage in Eighteenth-Century England and France&lt;/em&gt;</title>
<link>http://digitalcommons.mcmaster.ca/ecf/vol24/iss2/12</link>
<guid isPermaLink="true">http://digitalcommons.mcmaster.ca/ecf/vol24/iss2/12</guid>
<pubDate>Fri, 06 Jan 2012 11:28:19 PST</pubDate>
<description>
	<![CDATA[
	<p>Review of Chris Roulston, <em>Narrating Marriage in Eighteenth-Century England and France</em> (2010), reviewed by Aurora Wolfgang</p>

	]]>
</description>

<author>Aurora Wolfgang</author>


</item>


<item>
<title>Review of: Pam Perkins, &lt;em&gt;Women Writers and the Edinburgh Enlightenment&lt;/em&gt;</title>
<link>http://digitalcommons.mcmaster.ca/ecf/vol24/iss2/11</link>
<guid isPermaLink="true">http://digitalcommons.mcmaster.ca/ecf/vol24/iss2/11</guid>
<pubDate>Fri, 06 Jan 2012 11:28:18 PST</pubDate>
<description>
	<![CDATA[
	<p>Review of Pam Perkins, <em>Women Writers and the Edinburgh Enlightenment</em> (2010), reviewed by Evan Gottlieb.</p>

	]]>
</description>

<author>Evan Gottlieb</author>


</item>


<item>
<title>Remembering Nature: Soliloquy as Aesthetic Form in &lt;em&gt;Mansfield Park&lt;/em&gt;</title>
<link>http://digitalcommons.mcmaster.ca/ecf/vol24/iss2/10</link>
<guid isPermaLink="true">http://digitalcommons.mcmaster.ca/ecf/vol24/iss2/10</guid>
<pubDate>Fri, 06 Jan 2012 11:28:16 PST</pubDate>
<description>
	<![CDATA[
	<p>In <em>Mansfield Park</em>, Jane Austen allegorizes her understanding of the novel of manners as a form of cerebral theatre that stages philosophical dialogues, centrally the quarrel between the ancients and the moderns. Is nature a tabula rasa, at best unintelligibly moral, or is it informed by an indwelling telos, an intelligibility? Modernity divorces ethics from aesthetics, virtue from pleasure, the pulpit from the theatre, because we have forgotten nature's inherent telos, intelligibility, or mind. Fanny Price's soliloquizing, like Shaftesbury's, actualizes not a static ideal form that invites aesthetic contemplation but an empirical praxis which attempts, like her rehearsals with the mindless Mr Rushworth, to restore the mind, the brain, the memory that our modern understandings of nature have denied. Austen's philosophic dialogue ideally bridges ancient and modern and transforms private, self-educating acts of solitary reading pleasure into acts of public conversation that can be profoundly improving of public manners and mores.</p>

	]]>
</description>

<author>LORRAINE J. CLARK DR</author>


</item>



</channel>
</rss>

