Home > ECF > Vol. 23 > Iss. 3 (2011)
Volume 23, Issue 3 (2011)
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Articles
`New People in a New World'?: Defoe's Ambivalent Narratives of Emigration
Joseph F. Bartolomeo
Clarissa and the Hazards of the Gift
Linda Zionkowski
Henry Fielding Reinvents the Afterlife
Regina M. Janes
`Women Love to Have Their Own Way': Delusion, Volition, and 'Freaks' of Sight in Tabitha Tenney's Female Quixotism
William C. Harris
Review of/compte rendu: Jan Herman, Mladen Kozul, and Nathalie Kremer, Le Roman véritable: stratégies préfacielles au XVIIIe siècle
Joanna Stalnaker
Review of: Anja Müller, Framing Childhood in Eighteenth-Century English Periodicals and Prints, 1689-1789
Shelley King
Review of: Reginald McGinnis, ed., Originality and Intellectual Property in the French and English Enlightenment
Robert L. Mack
Book review/compte rendu: Ann Lewis, Sensibility, Reading and Illustration: Spectacles and Signs in Graffigny, Marivaux and Rousseau
Diane Beelen Woody
Supplemental Note
Regarding the article “Dutiful Daughters and Colonial Discourse in Jane West’s A Gossip’s Story,” a correction from the author, Angela M. Rehbein, 25 September 2012
In the version of this article originally published in Eighteenth-Century Fiction 23, no. 3 (2011), I make an error in my reading of Jane West's use of the term "Indies" in A Gossip’s Story. Specifically, I associate the character of Miss Morton with the plantation culture of the British West Indies in the late eighteenth century, and I use this detail to support a larger argument about the connections between female sexuality and imperialism in the novel. Miss Morton is not from the West Indies but from the East Indies.
Once this issue moves to open access in April 2013, you will be able to read the rest of this appended, supplemental note with the article itself.