Theses/Dissertations from 2007
Online Music Communities: Challenging Sexism, Capitalism, and Authority in Popular Music, Paul Alexander Aitken
AVANT ROCK'S HYBRID GENEALOGY: "ORIGINS," "BRIDGES," AND "MERGERS" ACROSS THE HIGH ART/LOW ART DIVIDE, Sarah Funke
The Turning of the Listener: Musical Media and the Change of Experience, Sean Luyk
Theses/Dissertations from 2006
From Girl Next Door to Sex Symbol: Representations of Women in the Popular Music Press, Melissa Avdeeff
A Critic on the Edge, Claire Marie Blaustein
The Persistence of Values: Processes in Hymn Acquisition by Six Nations, Ferdinanda Coolsma
Indie Rock Subculture: Hamilton as Microcosm, Kathleen Davies
Imploding Musical Genre, Christopher Dawes
19th CENTURY MUSIC CRITICISM AND AESTHETICS: MUTUAL INFLUENCES, Mihaela Irina
The Character and Administration ofGovemor John Wentworth, Dan Qin
Theses/Dissertations from 2005
A CRITICAL OVERVIEW OF CLASSICAL MUSIC IN HAMILTON, Tina Angela Depko
Music Theory and Perception: An Experimental Comparison, Deborah Henry
The Conducting Body: The Gestural Vocabulary of Masculinity, Power, Transgression, and Metaphor, Daniel Sheridan
Identity, Representation and Community in Lilith Fair, Jennifer Taylor
Theses/Dissertations from 2004
The Battle of the Five Spot: Omette Coleman and the New York Jazz Field, David Lee
Theses/Dissertations from 2003
Women Making Music in Canada: Issues of Cultural Identity that Influence Compositional Styles and Strategies, Nadine J-M. Burke
The Symbolism of Evil in Berlioz's Symphonie Fantastique, Nicholas Donlevy
Edvard Grieg: Between Two Worlds, Rebekah Jordan
Theses/Dissertations from 2002
Klezmer: Micro-Perspectives on a Macrocosm, Jordan Newman
Theses/Dissertations from 2001
Clara Schumann, The (Wo)Man and Her Music: An Examination of Nineteenth-Century Female Virtuosity, Jennifer R. Caines
Sisters With Voices: Women Making Music in he Hip-Hop Scene, Ruth Cumberbatch
TOWARDS A CRITICISM OF THE BODY IN MUSIC: RECOGNIZING AND REVERSING THE MIND-BODY SPLIT IN TRADITIONAL SCHOLARSHIP, Sandra Ramunno
Theses/Dissertations from 2000
Singin' in the Reign: Participatory Song in the Catholic Liturgy, Antonella F. Bilich
David Bowie's 1. Outside: The Creation of a Liminoid Space as a Metaphor for Pre-Millennial Society, Nicholas P. Greco
CONSTRUCTING VOCAL BODIES: CATHY BERBERIAN, SEQUENZA III, AND THE CREATION OF CULTURAL POSSIBILITIES, Catherine Joan Schwartz
CONSTRUCTING VOCAL BODIES: CATHY BERBERIAN, SEQUENZA III, AND THE CREATION OF CULTURAL POSSIBILITIES, Catherine Joan Schwartz
Theses/Dissertations from 1999
On the Margins of the Mainstream: Queen, the Rock Press, and Gender, Jennifer Anne de Boer
On the Margins of the Mainstream: Queen, the Rock Press, and Gender, Jennifer Anne de Boer
Scoring The Body: Psychoanalysis, Image Schemata, and the Syntax of the Narrative Film Score, Simon Wood
Theses/Dissertations from 1998
Erwartung as Other: Schoenberg. Lacan, and Psychoanalytic Music Criticism, Alexander Carpenter
THE MUSICAL UNIVERSE: NUMBER, COLOR AND THE SOUL, Irene Wasyliw
Music, Emotions and the Role of the Body, Melissa West
Theses/Dissertations from 1997
A CRITICAL EXAMINATION OF WOMEN PERFORMERS WITHIN A CANADIAN, FEMINIST CONTEXT, Elaine Rusk
The Winnipeg Symphony Orchestra's New Music Festival 1992-96: A Critical Assessment, Lisa Schellenberg
Theses/Dissertations from 1996
DECONSTRUCTION, MUSICOLOGY, HERMENEUTICS: A PREFACE TO DECONSTRUCTIVE MUSICAL HERMENEUTICS, Michael D. Free
Performance Practice in Seventeenth-Century Recorder Tablatures, Avery MacLean
A Northern Hemisphere Musical Emprise: an Omnibus of Reviews and Interviews, Hilary Shrubb
Opera on Radio, Heather Slater
Bartók Analysis: A Critical Examination and Application, David Robert Walker
Theses/Dissertations from 1995
On the "Hungarian" in Works of Brahms: A Critical Study, Nancy Handrigan
Which One's Pink? - Towards an Analysis of the Concept Albums of Roger Waters and Pink Floyd, Philip Anthony Rose
Theses/Dissertations from 1994
Leo-Pol Morin and Papiers de musique: A Critical Introduction and English Translation, Kristina Anderson
PRIMA LA MUSlCA?: A CRITICAL PORTFOLIO, Katherine Rae Syer
The FeuiIletons of Castil-Blaze in the Joumal des Débats (1820-1832): A Critical Examination, Leonard L. H. Turnevicius
Theses/Dissertations from 1993
Schenker and Schoenberg: A critical comparison of two analytical methods, with reference to the first movement of Beethoven's Appassionata Sonata., Barbara Louise Hampson
THE CHANSONNIER D'ARRAS: A CRITICAL EDITION, ROBIN LOCKERT
Facets of Practical Music Criticism, Elaine Schmidt
Theses/Dissertations from 1992
The Art of Piano Transcription as Critical Commentary, Glenn David Colton
Feminist Music Criticism: Derivations and Directions, Elizabeth Roseanne Kydd
A Critical Examination of Expressive Content in Mahler's Ninth Symphony, Kathleen Wreford
Theses/Dissertations from 1991
LEONARD BERNSTEIN'S YOUNG PEOPLE'S CONCERTS: A CRITICAL OVERVIEW, Sharon A. Gelleny
Musical Canada: A Study of Music Criticism and Journalism in an Early Twentieth Century Canadian Music Periodical, Christina L. Hartwell
Chaos and Criticism: Toward an Aesthetic of the Open Musical Work, Timothy James Jones
Charles Burney's Philosophy of Music Criticism, Kenneth Alexander McLeod
THE CONTEMPORARY CANADIAN NEWSPAPER MUSIC CRITIC, Marguerite Edith Lillian Toews
Theses/Dissertations from 1990
Richard Wagner's Parisian Writings: A Developing Critical Perspective, Paul A. Bertagnolli
Virgil Thomson on Modern Music: Critical Writings in the New York Herald Tribune 1940-1954, Karen L. Carter
George Bernard Shaw's Early Musical Criticism: The HOI1lSeY Hornet, 1876-77, Walter Lemiski
Theses/Dissertations from 1989
Ernest Newman's Philosophy of Music Criticism, Siobhan McDonnell
A CRITICAL COMPARISON OF THREE SETTINGS WORKS BY HOFFMANN, LORTZING AND REINECKE OF THE UNDINE MYTH IN WORKS BY HOFFMANN, LORTZING AND REINECKE, Mary Ann Smart
Theses/Dissertations from 1988
A Critical Portfolio: Being Chiefly Reports on New Music and Opera (1987-88) by a Critic Living in Hamilton, Ontario, Alan Richard Gasser
CONCERT REVIEWING AS MUSIC CRITICISM: NEW HAYEN CONNECTICUT (1984-1986), Philip James Greene
A Critical Comparison of Three Settings of the Undine Myth in Works by Hoffmann, Lortzing and Relinecke, Mary Ann Smart
Boulez's Structuralist Aesthetics of Music, Peter M.S. Tannenbaum
Theses/Dissertations from 1987
Worlds Contending: Bèla Bartók's Concerto for Orchestra, Rebecca Lee Green
Theses/Dissertations from 1985
Famous Violinists and their Critics: New York City, 1900 to 1930, Mary Ann Foley
TOWARDS AN AUTHENTIC INTERPRETATION OF MENDELSSOHN'S ORGAN WORKS, EUGENE MURRAY GATES
Towards an Authentic Interpretation of Mendelssohn's Organ Works, Eugene Murray Gates
Theses/Dissertations from 1984
New Music Concerts of Toronto: A Critical Study, Colin Eatock
NEW MUSIC CONCERTS OF TORONTO: A CRITICAL STUDY, Colin Eatock