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Theses/Dissertations from 2007

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Online Music Communities: Challenging Sexism, Capitalism, and Authority in Popular Music, Paul Alexander Aitken

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AVANT ROCK'S HYBRID GENEALOGY: "ORIGINS," "BRIDGES," AND "MERGERS" ACROSS THE HIGH ART/LOW ART DIVIDE, Sarah Funke

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The Turning of the Listener: Musical Media and the Change of Experience, Sean Luyk

Theses/Dissertations from 2006

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From Girl Next Door to Sex Symbol: Representations of Women in the Popular Music Press, Melissa Avdeeff

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A Critic on the Edge, Claire Marie Blaustein

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The Persistence of Values: Processes in Hymn Acquisition by Six Nations, Ferdinanda Coolsma

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Indie Rock Subculture: Hamilton as Microcosm, Kathleen Davies

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Imploding Musical Genre, Christopher Dawes

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19th CENTURY MUSIC CRITICISM AND AESTHETICS: MUTUAL INFLUENCES, Mihaela Irina

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The Character and Administration ofGovemor John Wentworth, Dan Qin

Theses/Dissertations from 2005

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A CRITICAL OVERVIEW OF CLASSICAL MUSIC IN HAMILTON, Tina Angela Depko

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Music Theory and Perception: An Experimental Comparison, Deborah Henry

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The Conducting Body: The Gestural Vocabulary of Masculinity, Power, Transgression, and Metaphor, Daniel Sheridan

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Identity, Representation and Community in Lilith Fair, Jennifer Taylor

Theses/Dissertations from 2004

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The Battle of the Five Spot: Omette Coleman and the New York Jazz Field, David Lee

Theses/Dissertations from 2003

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Women Making Music in Canada: Issues of Cultural Identity that Influence Compositional Styles and Strategies, Nadine J-M. Burke

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The Symbolism of Evil in Berlioz's Symphonie Fantastique, Nicholas Donlevy

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Edvard Grieg: Between Two Worlds, Rebekah Jordan

Theses/Dissertations from 2002

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Klezmer: Micro-Perspectives on a Macrocosm, Jordan Newman

Theses/Dissertations from 2001

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Clara Schumann, The (Wo)Man and Her Music: An Examination of Nineteenth-Century Female Virtuosity, Jennifer R. Caines

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Sisters With Voices: Women Making Music in he Hip-Hop Scene, Ruth Cumberbatch

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TOWARDS A CRITICISM OF THE BODY IN MUSIC: RECOGNIZING AND REVERSING THE MIND-BODY SPLIT IN TRADITIONAL SCHOLARSHIP, Sandra Ramunno

Theses/Dissertations from 2000

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Singin' in the Reign: Participatory Song in the Catholic Liturgy, Antonella F. Bilich

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David Bowie's 1. Outside: The Creation of a Liminoid Space as a Metaphor for Pre-Millennial Society, Nicholas P. Greco

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CONSTRUCTING VOCAL BODIES: CATHY BERBERIAN, SEQUENZA III, AND THE CREATION OF CULTURAL POSSIBILITIES, Catherine Joan Schwartz

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CONSTRUCTING VOCAL BODIES: CATHY BERBERIAN, SEQUENZA III, AND THE CREATION OF CULTURAL POSSIBILITIES, Catherine Joan Schwartz

Theses/Dissertations from 1999

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On the Margins of the Mainstream: Queen, the Rock Press, and Gender, Jennifer Anne de Boer

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On the Margins of the Mainstream: Queen, the Rock Press, and Gender, Jennifer Anne de Boer

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Scoring The Body: Psychoanalysis, Image Schemata, and the Syntax of the Narrative Film Score, Simon Wood

Theses/Dissertations from 1998

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Erwartung as Other: Schoenberg. Lacan, and Psychoanalytic Music Criticism, Alexander Carpenter

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THE MUSICAL UNIVERSE: NUMBER, COLOR AND THE SOUL, Irene Wasyliw

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Music, Emotions and the Role of the Body, Melissa West

Theses/Dissertations from 1997

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A CRITICAL EXAMINATION OF WOMEN PERFORMERS WITHIN A CANADIAN, FEMINIST CONTEXT, Elaine Rusk

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The Winnipeg Symphony Orchestra's New Music Festival 1992-96: A Critical Assessment, Lisa Schellenberg

Theses/Dissertations from 1996

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DECONSTRUCTION, MUSICOLOGY, HERMENEUTICS: A PREFACE TO DECONSTRUCTIVE MUSICAL HERMENEUTICS, Michael D. Free

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Performance Practice in Seventeenth-Century Recorder Tablatures, Avery MacLean

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A Northern Hemisphere Musical Emprise: an Omnibus of Reviews and Interviews, Hilary Shrubb

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Opera on Radio, Heather Slater

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Bartók Analysis: A Critical Examination and Application, David Robert Walker

Theses/Dissertations from 1995

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On the "Hungarian" in Works of Brahms: A Critical Study, Nancy Handrigan

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Which One's Pink? - Towards an Analysis of the Concept Albums of Roger Waters and Pink Floyd, Philip Anthony Rose

Theses/Dissertations from 1994

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Leo-Pol Morin and Papiers de musique: A Critical Introduction and English Translation, Kristina Anderson

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PRIMA LA MUSlCA?: A CRITICAL PORTFOLIO, Katherine Rae Syer

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The FeuiIletons of Castil-Blaze in the Joumal des Débats (1820-1832): A Critical Examination, Leonard L. H. Turnevicius

Theses/Dissertations from 1993

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Schenker and Schoenberg: A critical comparison of two analytical methods, with reference to the first movement of Beethoven's Appassionata Sonata., Barbara Louise Hampson

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THE CHANSONNIER D'ARRAS: A CRITICAL EDITION, ROBIN LOCKERT

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Facets of Practical Music Criticism, Elaine Schmidt

Theses/Dissertations from 1992

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The Art of Piano Transcription as Critical Commentary, Glenn David Colton

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Feminist Music Criticism: Derivations and Directions, Elizabeth Roseanne Kydd

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A Critical Examination of Expressive Content in Mahler's Ninth Symphony, Kathleen Wreford

Theses/Dissertations from 1991

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LEONARD BERNSTEIN'S YOUNG PEOPLE'S CONCERTS: A CRITICAL OVERVIEW, Sharon A. Gelleny

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Musical Canada: A Study of Music Criticism and Journalism in an Early Twentieth Century Canadian Music Periodical, Christina L. Hartwell

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Chaos and Criticism: Toward an Aesthetic of the Open Musical Work, Timothy James Jones

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Charles Burney's Philosophy of Music Criticism, Kenneth Alexander McLeod

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THE CONTEMPORARY CANADIAN NEWSPAPER MUSIC CRITIC, Marguerite Edith Lillian Toews

Theses/Dissertations from 1990

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Richard Wagner's Parisian Writings: A Developing Critical Perspective, Paul A. Bertagnolli

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Virgil Thomson on Modern Music: Critical Writings in the New York Herald Tribune 1940-1954, Karen L. Carter

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George Bernard Shaw's Early Musical Criticism: The HOI1lSeY Hornet, 1876-77, Walter Lemiski

Theses/Dissertations from 1989

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Ernest Newman's Philosophy of Music Criticism, Siobhan McDonnell

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A CRITICAL COMPARISON OF THREE SETTINGS WORKS BY HOFFMANN, LORTZING AND REINECKE OF THE UNDINE MYTH IN WORKS BY HOFFMANN, LORTZING AND REINECKE, Mary Ann Smart

Theses/Dissertations from 1988

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A Critical Portfolio: Being Chiefly Reports on New Music and Opera (1987-88) by a Critic Living in Hamilton, Ontario, Alan Richard Gasser

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CONCERT REVIEWING AS MUSIC CRITICISM: NEW HAYEN CONNECTICUT (1984-1986), Philip James Greene

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A Critical Comparison of Three Settings of the Undine Myth in Works by Hoffmann, Lortzing and Relinecke, Mary Ann Smart

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Boulez's Structuralist Aesthetics of Music, Peter M.S. Tannenbaum

Theses/Dissertations from 1987

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Worlds Contending: Bèla Bartók's Concerto for Orchestra, Rebecca Lee Green

Theses/Dissertations from 1985

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Famous Violinists and their Critics: New York City, 1900 to 1930, Mary Ann Foley

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TOWARDS AN AUTHENTIC INTERPRETATION OF MENDELSSOHN'S ORGAN WORKS, EUGENE MURRAY GATES

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Towards an Authentic Interpretation of Mendelssohn's Organ Works, Eugene Murray Gates

Theses/Dissertations from 1984

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New Music Concerts of Toronto: A Critical Study, Colin Eatock

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NEW MUSIC CONCERTS OF TORONTO: A CRITICAL STUDY, Colin Eatock