Date of Award
Doctor of Philosophy (PhD)
Dr. Linda Hutcheon
This study develops a theory of melodrama based on Foucaldian concepts of power/resistance relations in discourse. This theoretical framework is tested by means of an analysis of five nineteenth-century English-Canadian texts: Elizabeth Lanesford Cushing's Esther (1840), Charles Heavysege's Saul (1859), Archibald Lampman's "David and Abigail" (1882), Oliver J. Booth's Jael, The Wife Of Heber the Kenite (1901), and George Arthur Hammond's The Crowning Test (1901). The central premise reveals challenges and insights concerning melodrama not previously found in the critical literature. By means of the analysis of the texts given Chapters Two, Three, and Four, the study demonstrates the interpretive strategies made possible by this re-evaluation of the genre and its gender politics. The understanding of melodrama both as a trans-national genre and as central feature of the nineteenth-century English-Canadian culture.
Jones, Heather Iris, "Representations of the Feminine in Nineteenth-Century English-Canadian Religious Melodrama" (1993). Open Access Dissertations and Theses. Paper 1756.