Date of Award

8-1994

Degree Type

Thesis

Degree Name

Master of Arts (MA)

Department

English

Supervisor

Brian John

Language

English

Abstract

To date, Northern Ireland's Frank McGuinness and Michael Longley have received meagre critical attention from scholars. Although it has often been assumed by certain artists and critics that the mixing of art and politics is merely a tool for propagandists, McGuinness' plays, Carthaginians and Someone Who'll Watch Over Me, and Longley's poems concerning the Troubles illustrate a healthy intersection of literature with politics. This thesis attempts to analyze how these writers use displacement or imaginative distance as a strategy for illuminating the political and cultural contexts of the North. This indirect engagement in its myriad of forms reflects McGuinness and Longley's quest for a creative realm of displaced perspectives--a place elsewhere. Longley and McGuinness write about their own conscious experiences and those of their various communities through frameworks that are mythically, historically, geographically, and intertextually remote. Both artists seek to render conditions in Northern Ireland symbolically and, thereby, circumvent political ideologies and posit alternative visions to conflict and violence.

McMaster University Library